By Wittliff archivist Hannah Martin
The Soap Creek Saloon calendars created by artist Kerry Awn are now available online to researchers at The Wittliff Collections website. These calendars were used to promote the music venue that served as an unofficial hub of Austin’s counterculture and progressive country music scene from 1974 until its closure in 1985. However, it wasn’t limited to progressive country—blues, jazz, rock, and punk also frequently made their way to the stage.
Looking closer, these calendars reflect a broader history of Austin in the 1970s and serve as a valuable resource for music historians. They weave a story of the Soap Creek community, one that was brought together through a shared love of listening to and experiencing live music.
The most prominent feature of these posters is the artwork drawn by Kerry Awn, which included imagery from the Austin community. There were hippies with long hair and cowboy hats, people drinking Lone Star beer, the Oat Willie’s smoke shop character, and armadillos. Much of the art depicted real people, including Soap Creek staff, musicians, and journalists. The calendars also celebrated the staff by including personal milestones such as birthdays, anniversaries, and weddings.
The Soap Creek Saloon hosted events beyond live music, including movie nights, softball games, and charity benefits. In one calendar, researchers can see what movies Marcia Ball screened. In another, they can learn about the members of Soap Creek’s softball team, which included Doug Sahm as their coach. Fundraisers were common at the venue and often supported progressive political campaigns, community members in need, and local education efforts. These events transformed Soap Creek Saloon into a true community center, reflecting the values of an Austin that is often missed today.
With over 100 calendars now available online, researchers can gain a deeper understanding of Austin’s spirit and learn more about the Soap Creek Saloon’s lasting influence on the city’s music history.